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VERTICAL HORIZON
Keith Kane - vocals/guitar
Sean Hurley - bass
Matt Scannell - lead vocals/guitar
Ed Toth - drums
"I am everything you want. I am everything you need.....but
I mean nothing to you and I don't know why."
After three successful independent releases, Vertical
Horizon makes their major label debut with Everything You
Want, a heady mix of melodic songwriting, strong
musicianship, and passionate performances. "They're simple
songs played with sincerity," says lead vocalist/guitarist
Matt Scannell. "That's where the excitement comes from, not
through adding more notes and overplaying."
Vocalist/guitarist Keith Kane adds, "We try to put the focus
on lyrics, melodies and chord progressions. We're not into
huge productions, just real emotions, real situations."
Since forming in 1991, Vertical Horizon have worked on the
road and in the studio to cultivate a grassroots fanbase and
their work has paid off significantly. Before signing with
RCA, the band sold an incredible 70,000 copies of their
first three records, a task accomplished without any label
assistance. At the root of this persistence and perseverance
stand the band's two leaders, Matt Scannell and Keith Kane.
Scannell and Kane met as undergrads at Georgetown where Kane
had a local Tuesday night gig. Scannell, a 'Matthew
Sweet/Peter Gabriel fan who copped Eddie Van Halen licks on
guitar' began sitting in and the two became a popular
acoustic attraction as well as friends. "I loved electric
guitar and playing in bands," says Scannell, "but it was
just easier to walk into a club with only an acoustic guitar
and land a gig."
During those acoustic gigs, the seed of Vertical Horizon
began to grow. Kane and Scannell won audiences over with
aggressive vocal harmonies and strong songwriting. After
graduation in '92, the two went to Cape Cod to work odd jobs
and make their first record.
Vertical Horizon's impassioned sounds and vibrant gigs were
a refreshing change from the angst ridden early modern rock
scene. As a result, their debut album, There and Back Again,
enjoyed phenomenal success. What had started out as an
initial run of 1,000, as 'something they'd have left over to
give their grandkids,' became, with the help of non-stop
touring, a debut disc that sold over 20,000 copies. -over-
For their follow-up effort in 1995, Kane and Scannell
brought on additional accompaniment. Carter Beauford from
the Dave Matthews Band sat in on drums, members of
Jackopierce lent a hand, and the band hired Doug Derryberry
and John Alagia to co-produce. The album, Running On Ice,
continued Vertical Horizon's commitment to honest,
acoustic-based music, even as they expanded their sound.
After adding drummer Ed Toth and bassist Sean Hurley in
1996, Vertical Horizon, as we know it today, was born. With
the new line up in tow, the band stepped up its touring
schedule, particularly on college campuses. "By spending so
much time on the road, we've really built up a loyal
grassroots following," admits Hurley. "And not only has it
kept us in touch with our fans, it's also really helped us
develop as a band, even if it means being away from home. "
In 1997, they released Live Stages, an aptly titled set
recorded over two wild nights at Ziggy's in Winston-Salem,
North Carolina. "The live record was a turning point for
us," says Scannell. "There was a lot of development, a lot
of growth in a very short period of time and I think it
really shows on that album."
But despite its past successes, nothing will quite prepare
the listener for the triumph that is Everything You Want.
Produced by Ben Grosse (Republica, Filter, Barenaked Ladies)
and Mark Endert (Fiona Apple, Madonna, Shawn Colvin) songs
like the opening, anthemic "We Are," the scratchy electric
"Finding Me," and the visceral "You Say," are crammed with
nuance and energy that take the band beyond its acoustic
roots. Elsewhere, the melancholy strum of "Best I Ever Had
(Grey Sky Morning)," the acoustic intro to the dramatic
closer "Shackled," and the dark, imploring "Give You Back"
retain the kind of vibe that helped Vertical Horizon earn
its audience in the first place.
Everything You Want leans into its songs with more
electricity, louder guitars and more galvanic performances.
"I realized that I wanted to hear a lot of noise," says
Kane, who stood at the core of the band's acoustic
foundation. "After six or seven years of touring, toughing
out relationships, struggling, you begin to feel a little
more realistic about life. That realism, that anger, sounded
really good on electric guitar."
"Right now, we're about a lot of things," says Toth. "This
album is a huge step forward and our scope is widening every
day. If we allow ourselves to keep moving forward, we'll be
able to cover a lot of ground and have fun doing it."